
This new version confirms the status of Avid Xpress Pro as the most
powerful and inexpensive mounting medium on the market. Avid Xpress Pro
provides users with mounting medium with unmatched media management
capabilities, including the ability to mix SD and HD formats in real time
There is one good reason why almost all modern films and television shows
that go in prime time, were created on systems Avid ®: nowhere else you will not
find such flexibility in implementing their own ideas. All of this applies to
the Avid Xpress ® Rro, which is a full-featured editing environment for working
with media data formats HD, DV, SD and footage, which is as perfect as a
portable tool for rough editing for any system of Avid. Realize your ideas with
Avid Xpress Rro.
Product Highlights • Support for HD, including HDV, DVCProHD and DNxHD;
support uncompressed SD video with 10-bit color; • Multikamerny installation
in real time; • Support for P2 and XDCAM HD; • AVX 2 for processing
effects in real time and 16-bit quality; • Ability to view the footage in
full screen mode; • Creating a DVD in one step; • Support for Avid Mojo
SDI.
Whats new in 5.8.4 Fixed in v5.8.4 The following have been fixed in this release: • When
loading a progressive master clip into an interlace project, you will be
prompted to perform a transcode. If you try to perform the transcode, you will
receive a message indicating the "Transcode cannot be completed because the
source contains an unsupported resolution.” This is as designed. The editing
application does not support transcoding from progressive to interlaced
material. • Previously, you might have received an error when transcoding
clips from OMF to MXF with no change in resolution. This has been fixed. •
Previously, the source timecode might have shifted when performing an edit while
capture.This has been fixed. • Previously, when performing a multi
resolution ingest, parameters such as Tape name, Duration, and Tracks, might
have changed. This caused problems with transferring clips between sites and
archiving. This has been fixed. • Previously, the Pan & Zoom effect used
drive letters when accessing the image to be used for the effect. This does not
work in a collaborative environment because the drive is only valid on the
system that created the effect. UNC paths are now used. • Previously, when
logged in using a non-Administrator account, a capture or digital cut might not
have been frame accurate on the Symphony Nitris. This has been fixed. •
Previously, HD-SDI embedded audio output might have sounded distorted on some
audio devices. This has been fixed. • Previously, HD-SDI embedded audio was
not being output to the Panasonic AJ-HD1700 successfully. This has been fixed.
• Previously, when you selected Render IN to OUT, not all the effects might
have been rendered. This has been fixed. • Previously, when the editing
application was indexing files, in a non Avid Interplay environment, you would
receive out of memory errors. This has been fixed. Fixed in v5.8.3 The
following have been fixed in this release: • Sound TC was counting at 24fps
as opposed to 30fps in 1080p23 projects, causing the Sound TC information to
drop out before the end of the clip. This has been fixed. • Effects that
were nested inside a submaster effect might have appeared as black instead of
letting the lower video layers show through. This has been fixed. •
Previously after opening, closing, or saving a bin, the system might hang. "Not
responding” would appear in the title bar. This has been fixed. •
Previously, locators placed on a title track did not reappear after the original
title media was deleted and then title media was recreated. • If you have
problems with batch capture accuracy for footage captured over 1394 due to
undetected small timecode breaks, enable the "Enable detection of small timecode
break” option located in the Capture Settings DV& HDV tab. • Previously,
you might have been unable to transcode 720p 50 to 1080p 25. This has been
fixed. • Previously, you might have received a "Video Overrun” error when
capturing 720p or 1080p with more than 2 AES/EBU audio tracks. This has been
fixed. • Previously, if you transferred a sequence with a long name to
AirSpace, the sequence would fail to transfer with a "requested function is not
implemented” message. A more accurate message of "Sequence name exceeds 63
characters” now appears.
Size : 1151 MB
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